Episode 136Jan 9, 2026Β· 1:13:40

πŸ’ What’s Next? 2026 Marketing Trends with Amanda Laird

β–Έ Show notes from the creator
Today we're putting the cherry on top of your 2026 marketing toolkit with a long-form episode on trends! To do that, I'm joined by growth marketing strategist Amanda Laird to chat about five things we’re forecasting for the year ahead, including: New ways of building trust πŸ‘· Why we’re bringing big YOLO energy to our marketing ☝️ How online business is going analog πŸ“» Why Patreon might be the platform to watch πŸ‘€ If done-for-you services are making a comeback 🀝 And how courses might fare in 2026 πŸ€” Tune in for a gently-guided look into the murky crystal ball of online biz. Then head to offthegrid.fun/2026 for this whole series! Β  Β  RESOURCES + LINKS πŸ‘‹ Get the FREE Leaving Social Media Toolkit 🌐 Get on the Interweb waitlist for courses + community πŸ’“ Join the Clubhouse for more episodes + emails πŸ“£ I wanna promote your work! Learn more about advertising with Off the Grid. Β  FREE GIFTS OF THE WEEK ❊ 7-Day Savings Challenge from Dalene Higgins ❊ Toolkit for Navigating Capitalism & Other Fuckery from Kristi Amdahl ❊ More free resources from Close Biz Friends!
About this episode
Amelia Hruby and Amanda Laird discuss five 2026 marketing trends for small creative businesses operating without social media, all framed around declining consumer trust (WGSN consumer forecast, Edelman Trust Index). Trend 1: building in public and online vulnerability as proof of humanness versus AI-generated content, including the tension with privacy and online surveillance. Trend 2: YOLO or chaotic marketing —…
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Notable quotes

"Where it's like, as business owners, we need to trust ourselves ourselves. And we need to trust when we get that ping or that pull. And maybe this is the kind of YOLO chaotic energy. When you have an idea that you're like, I don't know, I just wanna do this thing, like, try it. That's the kind of energy that we should be bringing because when nothing is certain, anything is possible."

β€” Amanda Laird

"And that's where I think, like, I mean, so many of us have been in that place in the past few years. And what I would say there is like, for me, when I'm like really at the bottom, scraping the barrel of self trust and there's like nothing left, it's just self doubt everywhere. Like, that is actually where I go back to like the small consistent steps. When I'm in that place, I'm not acting out of YOLO energy because it so quickly becomes desperation energy. I'm actually acting out of like, alright, I can send a weekly email from here."

β€” Amelia Hruby

"But I think all of your points still stand. It's like this is still a tech platform, and it is VC funded, and that means that it is just like in line for the engineification pipeline. And so I think that for me, when we say like Patreon is the company to watch or the platform to watch in the year ahead, I think the questions I'm asking are like, will they be able to become an exciting place for creators to be, and will they be able to stay true to this sort of promise that they will be creator first, and that they will have stronger moderation guidelines that keep these, like, bad actors off their platforms. And I still wanna know what they really mean by their Instagram bio, make art not content, because I feel like what Patreon is selling is the ability to make content about your art to make money. And so, you know, they're really presenting themselves as artists first, and I wanna believe in that, but I think I personally feel just a little too jaded by all the other platforms."

β€” Amelia Hruby

Episode transcript

13 chapters β€” tap to expand the full text

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Mentioned in this episode
organizationWGSN
A trends forecasting think tank whose 2026 future consumer forecast Amanda shares to set the scene β€” it identified consumer fatigue, burnout from relentless messaging, and a craving for simplicity and authenticity.
companyEdelman
A global PR firm that publishes an annual trust index β€” Amanda references it to show that trust has been declining since the start of her career, well before 2025.
websiteSlow and Steady Studio
Amanda Laird's growth marketing consultancy, where she supports creative small business owners with a values-aligned approach to growth.
websiteoffthegrid.fun
Amelia's website where she has collected all five episodes of the 2026 creative marketing toolkit series along with free resources and bonus playlists.
organizationthe Interweb
Amelia's annual membership for creatives, artists, freelancers, and small business owners who want support making money online without social media β€” doors are closing at the end of the weekend at time of recording.
bookBreaking the Curse of Menstruation
Amanda Laird's book published by Dundurn Press, nominated for a COBО Emerging Writers Prize for nonfiction β€” mentioned as part of her bio introduction.
companyDundurn Press
The publisher of Amanda Laird's book Breaking the Curse of Menstruation.
websiteReddit
The platform where an AI-fabricated hoax about a food delivery company's 'desperation score' algorithm was posted β€” used as an example of how AI-generated misinformation spreads and how the community tried to sniff it out via inconsistent typos.
websiteSubstack
The newsletter platform that big creators like Virginia Sole-Smith and Hayley Phelan are leaving for Patreon, cited for platforming white supremacists and slowing organic subscriber growth β€” central to the Patreon trend discussion.
companyPatreon
Amanda and Amelia's platform to watch for 2026 β€” actively positioning itself as an alternative to Substack with billboards in Times Square, a 'your newsletter, your rules' homepage header, and an Instagram bio reading 'make art not content.'
personVirginia Sole-Smith
A big Substack creator Amanda had followed for years β€” her move from Substack to Patreon was one of the signals Amanda flagged as significant for the platform shift trend.
personHelen Petersen
Another prominent Substack writer Amanda had followed who moved to Patreon β€” Amanda notes she subscribed to their Patreon for a couple of months but ultimately unsubscribed because the format felt different.
websiteBurnt Toast
Described as possibly the first Substack Amanda ever subscribed to β€” referenced in the context of Virginia Sole-Smith's newsletter moving to Patreon.
personJulia Turshen
A recipe developer and cookbook writer Amanda cites as an example of handmade brand aesthetics β€” her brand identity is literally writing with a Sharpie on white paper and photographing it, which even made it into her last cookbook.
websiteKeep Calm and Cook On
Julia Turshen's Substack that Amanda references as an example of a handmade, low-fi visual brand identity done consistently and well.
personSarah Gonestein
Mentioned by Amelia as someone from the Moon Studio she has spoken with on the podcast about pulling back from public online presence as surveillance concerns grow.
personJen Carrington
Another guest Amelia references as someone she has talked to on the podcast about the strategy of putting more work behind a paywall as a response to online surveillance pressure.
bookThe Artist's Way
Amanda invokes it to push back on the dismissal of content as non-art, saying 'if you've ever read The Artist's Way, you know that marketers are just shadow artists.'
companyUber
Referenced via a fictionalized TV show as an example of the venture-capital growth-at-all-costs model β€” used to explain how platforms like Substack and Patreon follow the same enshittification cycle of hooking users then deprioritizing them.
personCory Doctorow
Amelia references Doctorow's concept of 'enshittification' to describe what is happening to Substack as it slows organic creator growth after hooking them on the platform.
personMelissa Kaitlyn Carter
The singer who performs the theme song heard at the start of every Off the Grid episode β€” credited in the outro.
websitePinterest
Amanda mentions reorganizing her craft inspiration Pinterest board by topic because it had grown so large β€” used as a casual example of her offline creative interests.
companySpotify
Amelia uses her own switch from Spotify to Apple Music and back as an analogy for the high switching costs creators and audiences face when platforms like Substack and Patreon ask them to migrate.
companyApple Music
Paired with Spotify in Amelia's analogy about platform switching costs β€” she hated Apple Music at first, then hated going back to Spotify, illustrating how habit locks users in.
Key themes
Trust in decline and what to do about it
Amanda and Amelia trace how trust in institutions, corporations, and online spaces has been falling since the millennium β€” citing the Edelman Trust Index β€” and frame all five trends as different responses to that ongoing erosion.
Building in public as proof of humanness
Amanda and Amelia argue that sharing behind-the-scenes process, crying on the podcast mic, and showing unpolished work is becoming a way to signal 'I am a real person, not AI' β€” connecting it to early Instagram and Twitter founder culture coming back around.
Privacy and surveillance rubbing against vulnerability
Amelia points out that the push to be more human and open online collides directly with growing awareness of government and corporate surveillance β€” including ICE monitoring social media and the fabricated AI Reddit hoax about a 'desperation score' algorithm.
YOLO energy and chaotic marketing
Amanda introduces the idea of throwing out best practices entirely β€” sending emails when you feel like it, doing things 'AI would never' β€” as a trust-building move, while Amelia adds that this energy works differently depending on whether you've already built a foundation.
Consistency and congruency between public persona and delivery
Amanda draws a hard line between rough-around-the-edges marketing and sloppy delivery, arguing that if your marketing is vulnerable and authentic but your product experience is a mess, you lose the trust you just built.
Offline and analog as both retreat and marketing move
Amelia and Amanda discuss in-person cohorts, mailed zines, handcrafted website aesthetics, and crafts like embroidery and crochet as things people are craving personally β€” and as a potential marketing opportunity now that audiences seem more receptive to hearing about them.
Patreon vs. Substack and the enshittification cycle
Amanda and Amelia examine why big creators like Virginia Sole-Smith left Substack for Patreon, whether Patreon can stay creator-first given its VC funding, and how platform switching costs meant Amanda personally unsubscribed from every creator she followed over.
Done-for-you over courses and buying back time
Amanda observes that people who spent 2025 buying courses that collected digital dust are now saying they'd rather just hire someone to do the thing, and Amelia connects this to a broader desire to be offline, touch grass, and stop trying to coach themselves into QuickBooks proficiency.
Consumer fatigue with being sold to
Amanda opens with the WGSN future consumer forecast finding that shoppers are burnt out by relentless messaging, craving simplicity and authenticity, and either moving offline or searching for a more human online experience β€” which she and Amelia both say matches their personal experience.
Business stage shaping which marketing energy fits
Amanda argues that for brand new businesses, 'fuck around and find out' is the only real strategy, while Amelia distinguishes that from the more intentional chaos available to someone who already has a working foundation β€” like her five-episodes-in-five-days experiment.